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BUT HAVE YOU READ THE BK

BUT HAVE YOU READ THE BK

$20.00
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For film buffs and literature lovers alike, Turner Classic Movies presents an essential guide to 52 cinema classics and the literary works that served as their inspiration.

"I love that movie!"

"But have you read the book?"

Within these pages, Turner Classic Movies offers an endlessly fascinating look at 52 beloved screen adaptations and the great reads that inspired them. Some films, like Clueless--Amy Heckerling's interpretation of Jane Austen's Emma--diverge wildly from the original source material, while others, like One Flew Over the Cuckoo's Nest, shift the point of view to craft a different experience within the same story. Author Kristen Lopez explores just what makes these works classics of both the page and screen, and why each made for an exceptional adaptation--whether faithful to the book or exemplifying cinematic creative license.

Other featured works include:
Children of Men - The Color Purple - Crazy Rich Asians - Dr. No - Dune - Gentlemen Prefer Blondes - Kiss Me Deadly - The Last Picture Show - Little Women - Passing - The Princess Bride - The Shining - The Thin Man - True Grit - Valley of the Dolls - The Virgin Suicides - Wuthering Heights

CINEMA SPECULATION

CINEMA SPECULATION

$35.00
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Instant New York Times bestseller

The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.

In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans--and all movie lovers--could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.